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“this is a text I commissioned for the exhibition. -SoiL”
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sub/dominium
2021
Installation view
MATT HILVERSI Come For God (the only power higher than the ones fucking us, me, and them over) (landlord / ghost bike edition)
2021
Silk flowers, plastic flowers, GNC styrene, acrylic primer, glue, and oil on panel
60 x 48 in / 152.4 x 121.92 cm
MATT HILVERSI Come For God (the only power higher than the ones fucking us, me, and them over) (landlord / ghost bike edition)
2021
Detail
sub/dominium
2021
Installation view
VAL BREEDERLiv’s Contract
2029
Looped video, iPad, dog leash
Dimensions variable
FLINT JAMISONAttempt-Attempt
2021
The materials are the metamorphosis of Greaser and Its Base, that has been previously exhibited: Aaron Flint Jamison, Miguel Abreu Gallery, New York, NY, 2015
Mechanisms, curated by Anthony Huberman, Wattis, San Francisco, CA, 2017
Regroup Show, Miguel Abreu Gallery, New York, NY, 2021
Dimensions variable
FLINT JAMISONAttempt-Attempt
2021
Detail
FLINT JAMISONAttempt-Attempt
2021
Detail
sub/dominium
2021
Installation view
REBA MAYBURYAcoustic Guitar meets his Destiny (Humiliated Guitars)
2021
Graphite on paper
Paper: 8.25 x 11.75 in / 21 x 29.7 cm
Frame: 16 x 20.25 in / 40.64 x 50.8 cm
REBA MAYBURYAcoustic Guitar in Ecstasy (Humiliated Guitars)
2021
Graphite on paper
Paper: 8.25 x 11.75 in / 21 x 29.7 cm
Frame: 16 x 20.25 in / 40.64 x 50.8 cm
sub/dominium
2021
Installation view
JASON HIRATAWhy not lie?
2021
Plastic bottles, urine
Courtesy the artist and the city of New York
JASON HIRATAWhy not lie?
2021
Plastic bottles, urine
Courtesy the artist and the city of New York
sub/dominium
2021
Installation view
PUPPIES PUPPIES (JADE KURIKI-OLIVO)I OFTEN FEEL LIKE I’M BEING FUCKED OVER BY A WHITE MAN
2021
Video, color, sound
2 minutes 32 seconds
PUPPIES PUPPIES (JADE KURIKI-OLIVO)I OFTEN FEEL LIKE I’M BEING FUCKED OVER BY A WHITE MAN
2021
Detail
sub/dominium
2021
Installation view
ALIREZA ABBASYAfter the meeting
2013
Inkjet print, wood frame
40 x 37 in / 101.6 cm x 93.98 cm
sub/dominium
2021
Installation view
NANCY LUPOSelf Portrait in rooms Service And Adjacent Dreamy Desires in a City at Least 70% MadeUp But With Many Specifcs Somewhere Paris and Tbilisi Interlace And Remembering the thing from California Department of Transportation District 7 HQ Building as Something Like Spiky Pasta from the Bad Animal in Mononoke
2021
Paper, graphite, liquid graohie, colored pencil, inkjet prints, Yes Past, black and white photograph, pigments, aluminum and bronze
Dimensions variable
NANCY LUPOSelf Portrait in rooms Service And Adjacent Dreamy Desires in a City at Least 70% MadeUp But With Many Specifcs Somewhere Paris and Tbilisi Interlace And Remembering the thing from California Department of Transportation District 7 HQ Building as Something Like Spiky Pasta from the Bad Animal in Mononoke
2021
Detail
NANCY LUPOSelf Portrait in rooms Service And Adjacent Dreamy Desires in a City at Least 70% MadeUp But With Many Specifcs Somewhere Paris and Tbilisi Interlace And Remembering the thing from California Department of Transportation District 7 HQ Building as Something Like Spiky Pasta from the Bad Animal in Mononoke
2021
Detail
sub/dominium
2021
Installation view
HAMISHI FARAHSarcophagus detail 2
2021
Acrylic on canvas
20 x 16 in / 50.8 x 40.64 cm
sub/dominium
2021
Installation view
IVAN CHENGNeutral (for browsers)
Cookie jar, cookies
Dimensions variable
IVAN CHENGVirginities
2021
Video
31:6