Cécile B. Evans’ practice offers percipient, moving accounts of the governance and rebellion of human emotions, in particular as they come into contact with technological and physical structures that seek to rationalize or streamline them. Her films, sculptures and installations articulate moments of dissonance as instruments of capitalist progress and technological advancement come into contact with variable and uncontrollable human behaviors. Through narrative propositions, Evans explores this interface between humanity, the realities it produces, and its organizing infrastructures.